And the only means to get those albums is to legally buy or stream them.
The database is there to represent the official album market. They don't serve any real purpose because they're not generally available to the public, which is also why there have been provided links to private downloads in the past. There will also be new rules regarding self-made "remasters" or downmixes of albums. User accounts have to be created with a valid e-mail address via double opt-in.
Therefore there will be a user account system with different roles and a backend to log in to for moderators where they can review change requests. The planned changes: All actions will be held in a moderation queue and selected members (moderators) have to confirm any changes before they are visible to the public. But you can continue scanning albums, just keep the logs on your hard drive for the time being.
FLEETWOOD MAC ALBUMS 1984 UPDATE
This update will take some time as it basically means rewriting everything from scratch with a new framework and adding a lot of new functionality. After setting the database to read-only and hiding comments due to the DMCA notice as a first step to prevent further harm I have now decided to continue working on the project and re-enabling create, edit and delete functionality again in the future. In the wake of Buckingham’s departure in 2018, the group enlisted Crowded House singer Neil Finn and Tom Petty sideman Mike Campbell-big-name replacements that prove, after 50 years of smash hits and broken relationships, Fleetwood Mac still won’t stop thinking about tomorrow.Hello folks. And even as more streamlined ‘80s efforts like Mirage and Tango in the Night reasserted their pop panache, Fleetwood Mac have remained a cauldron of drama and intra-band acrimony, the principal members seemingly coming and going without warning. On 1977’s Rumours, Fleetwood Mac dressed up the bitterest break-up songs in the smoothest, sultriest arrangements to the tune of over 40 million copies sold the album’s appeal is so universal that it’s been both cited by Courtney Love as an influence and used to soundtrack Bill Clinton’s presidential campaign.īut the band were eager to play against pop-star type-1979’s double-album colossus Tusk betrayed Buckingham’s affinity for post-punk, and though it was deemed a commercial disappointment at the time, it has since been embraced as a cult classic by discerning indie rockers. But Nicks’ star turns on “Rhiannon” and “Landslide” revealed a darker mystique at the core of their easygoing sound and, as sudden success caused the long-term relationships within the band to disintegrate, their next release effectively invented a new genre: rock album as couples therapy.
After a relocation to L.A., they welcomed singer/songwriter Lindsey Buckingham and his musical/romantic partner Stevie Nicks into the fold, heralding Fleetwood Mac’s transition into soft-rock hitmakers on their 1975 self-titled effort. Since the band’s formation in London in 1967, drummer Mick Fleetwood and bassist John McVie have served as both the rhythmic and spiritual anchors for a group that has hosted a revolving-door procession of outsized personalities, starting with Peter Green, the budding guitar god responsible for early hits like “Black Magic Woman” (famously covered by Santana) and the tranquil instrumental “Albatross” (which The Beatles admittedly aped on their Abbey Road track “Sun King”).Īfter Green quit in 1970, the band cycled through different frontmen-Danny Kirwan and Bob Welch among them-while their keyboardist, McVie’s wife Christine, emerged as a female vocal foil.
FLEETWOOD MAC ALBUMS 1984 SERIES
Tension can be a great motivator for a band, and no group has put that maxim to the test quite like Fleetwood Mac, a ’60s British blues-rock outfit that-through a series of lineup changes, stylistic shifts and rocky internal romances-became the paragons of ‘70s Californian pop.
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